Performing recently in a Shanghai park, a musician gingerly glides his bow across the strings of his erhu before tightening them to bring the instrument back into tune. Soon he is immersed in the haunting sounds of his composition, Snow Legend, with little but the calling of birds in the park for accompaniment.

Across China, it is common to see elderly people in parks playing the two-stringed instrument often referred to in English as a “spike fiddle”. But what makes this performance in Shanghai remarkable is that the musician is a foreigner.

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